Fill-in-the-Space Lesson PRE-PLANNING Form

Print this OPTIONAL Data Response Sheet and use to answer the questions for Task 4 and pre-plan for designing the writing lessons that go with the literature: 

Title of Book: ______________________________________      

    1.  Is the book narrative or expository text?

 

    2.  What issues in the book are worthy of discussion?

 

 

 

 


     3.  What issues allow for personal reflection and response?

 

 

 


    
4.  What is the author's style of writing?

 


     5.  What story elements do all readers need to understand for deep  comprehension of this particular story/text?

Story Elements

  Characters
We learn to know characters by their appearance, words, actions, thoughts, and the opinions of others about them.  Round characters have many traits, flat characters have limited development.  Stereotypes and foils serve as background characters.  Central characters are round; they may or may not change, but any change must be convincing.1  
  Plot
Plot is the sequence of events showing characters in action.  The plot should produce conflict, tension and action.  Narrative order is the order in which events are related.  Conflict occurs when the protagonist struggles against an antagonist (opposing force).  A story may involve a combination of conflicts.  Conflict of any kind grows out of character.  Suspense, the emotional pull that keeps us wanting to read on, involves us in conflict up to the climax in the final pages.  Dropping clues about the outcome without destroying suspense is called foreshadowing.  Unrelieved suspense is called sensationalism.  The climax is the peak and turning point of the conflict, the point at which we know the outcome of the action.  The denouement begins at the climax, at the point where we feel that the protagonist's fate is known.  From here the action of the plot is also called the falling action.1  
  Theme
Theme is literature in the idea that holds the story together.  It is the main idea or central meaning of a piece of writing.  Explicit themes are stated by the author openly and clearly.  Implicit themes are also inherent in many stories.  A good story is not meant to instruct us; it gives us insight into people and how they think and feel, and enlarges our understanding.  Literature does not teach; it helps us understand.  Didacticism occurs when information or instruction in a book displaces the understanding.1   
  Setting
Setting involves time and place.  Integral settings are when an action, character, or theme are influenced by the time and place.  In an integral setting the writer must describe it in concrete details, relying on sensory pictures and vivid comparisons to make the setting so clear that the reader understands how this story is closely related to this particular place.  In backdrop settings the setting is generalized and universal.1   
  Point of View
Whose view of the story the writer tells determines the point of view.  Point of view is determined when the writer chooses who is to be the narrator and decides how much the narrator is to know.1   
  Style
Style is basically words ... how an author says something as opposed to what he or she says.  Style increases not only our pleasure in words and sounds, but our belief in the characters' reality.  Style is not something applied to a finished piece of writing; rather, it is the writing, conveying both the idea and the writer's point of view of the idea.  Connotation is the associative or emotional meaning of a word.  Denotation is the dictionary meaning of a word.  Imagery is the appeal to any of the senses; it helps create setting, establish a mood, or show a character.1  
  Tone
Tone in literature tells us how the author feels about his or her subject.  The author's style conveys the tone in literature.  Tone is the author's attitude toward story and readers.  Parody relies on the reader's memory of a known piece of writing or of a way of talking.  Tone is the effect of the writer's words.  Distanced tone occurs in folktales because the reader is dispassionate with the events and in their reality.  Didacticism, or preaching, is expected in sermons and textbooks, not in literature.  Some writers vary the tone as the situation in the story changes.  


     6.  Make a list of quotes from the book that could be used as "story starters" or brainstorming sessions prior to writing.  These quotes should prompt "grand conversations."   


 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

References:

Lukens, R. J.  (1999).  A critical handbook of children's literature.  Atlanta:  Addison Wesley Longman, Inc. 

Back to Task 4

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